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"@id": "https://doi.org/10.6092/2035-7680/1172",
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"value": "11-201-1172"
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"url": "http://riviste.unimi.it/index.php/AMonline/article/view/1172",
"additionalType": "Article",
"name": "The Ten Commandments tra Vecchio e Nuovo Testamento",
"author": [
{
"name": "De Berti Raffaele",
"givenName": "De Berti",
"familyName": "Raffaele",
"@type": "Person"
},
{
"name": "Tomaso Subini",
"givenName": "Tomaso",
"familyName": "Subini",
"@type": "Person"
}
],
"description": "Cecil B. DeMille adapted for the screen the biblical text of Exodus twice, and in both cases he devised
sophisticated strategies for intersemiotic translation with the aim to create a great show for a popular
Christian audience. This is the reason why The Ten Commandments cannot be considered a mere illustration of
the biblical story but instead a complex fiction film, which uses the Bible only as a starting point.
",
"inLanguage": "it",
"contentSize": "111-125 Paginazione",
"datePublished": "2011-06-27",
"dateModified": "2011-06-27",
"pageStart": "2011: La Bibbia in Scena",
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"periodical": {
"@type": "Series",
"name": "Altre Modernità",
"firstPage": "2011: La Bibbia in Scena"
},
"publisher": {
"@type": "Organization",
"name": "Università degli Studi di Milano"
},
"provider": {
"@type": "Organization",
"name": "datacite"
}
}