{"data":{"id":"10.6084/m9.figshare.7511315.v1","type":"dois","attributes":{"doi":"10.6084/m9.figshare.7511315.v1","prefix":"10.6084","suffix":"m9.figshare.7511315.v1","identifiers":[],"alternateIdentifiers":[],"creators":[{"name":"Ferreira, Ermelinda Maria Araújo","nameType":"Personal","givenName":"Ermelinda Maria Araújo","familyName":"Ferreira","affiliation":[],"nameIdentifiers":[]},{"name":"Joanita Baú De Oliveira","affiliation":[],"nameIdentifiers":[]}],"titles":[{"title":"Poetic Inventory: Notes on the Remains of the Human in Literature"}],"publisher":"SciELO journals","container":{},"publicationYear":2018,"subjects":[{"subject":"Linguistics"},{"subject":"FOS: Languages and literature","schemeUri":"http://www.oecd.org/science/inno/38235147.pdf","subjectScheme":"Fields of Science and Technology (FOS)"},{"subject":"FOS: Languages and literature","subjectScheme":"Fields of Science and Technology (FOS)"},{"subject":"200503 British and Irish Literature","subjectScheme":"FOR"},{"subject":"200506 North American Literature","subjectScheme":"FOR"}],"contributors":[],"dates":[{"date":"2018-12-26","dateType":"Created"},{"date":"2018-12-26","dateType":"Updated"},{"date":"2018","dateType":"Issued"}],"language":null,"types":{"ris":"DATA","bibtex":"misc","citeproc":"dataset","schemaOrg":"Dataset","resourceType":"Dataset","resourceTypeGeneral":"Dataset"},"relatedIdentifiers":[{"relationType":"IsSupplementTo","relatedIdentifier":"10.5007/2175-8026.2017v70n2p53","relatedIdentifierType":"DOI"},{"relationType":"IsIdenticalTo","relatedIdentifier":"10.6084/m9.figshare.7511315","relatedIdentifierType":"DOI"}],"relatedItems":[],"sizes":["73569 Bytes"],"formats":[],"version":null,"rightsList":[{"rights":"Creative Commons Attribution 4.0 International","rightsUri":"https://creativecommons.org/licenses/by/4.0/legalcode","schemeUri":"https://spdx.org/licenses/","rightsIdentifier":"cc-by-4.0","rightsIdentifierScheme":"SPDX"}],"descriptions":[{"description":"Abstract This essay aims to analyse the electronic fiction text created by Richard Holeton - Frequently Asked Questions About \"Hypertext\" -, published by N. Katherine Hayles in the Electronic Literature Collection (vol. 1, 2006). As an ironic reference to another parodistic work created by Vladimir Nabokov: Pale Fire (1962), this text provides a rich material for a “posthumanist” reading about the future of poetry as an expression of the human soul. Contrary to what the title suggests, however, Holeton’s text is not presented as an academic essay on digital writing, but as an experimental poem subjected to the quaint approaches of several fictitious critics, practitioners of the analytical lines of the nowadays popular Cultural Studies. 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