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One of the main questions raised by the novel involves the palimpsest game inherent to its authorship, since the work was produced through the writings of a dead author (Austen) and a living author (Grahame-Smith). The English novelist from the regency period had already experienced intricate dynamics of authorship attribution to her own works when they were published for the first time. In this context, we herein analyze the dialectics between a living author/dead letter and a living work/dead writer, so important in the artistic collaboration that generated Pride and Prejudice and Zombies.","descriptionType":"Abstract"}],"geoLocations":[],"fundingReferences":[],"xml":"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","url":"https://scielo.figshare.com/articles/dataset/Jane_Austen_and_the_Zombie_Authorship_Phenomenon_in_Pride_and_Prejudice_and_Zombies/6968213/1","contentUrl":null,"metadataVersion":4,"schemaVersion":"http://datacite.org/schema/kernel-4","source":"mds","isActive":true,"state":"findable","reason":null,"viewCount":2,"viewsOverTime":[{"yearMonth":"2026-01","total":2}],"downloadCount":0,"downloadsOverTime":[{"yearMonth":"2026-01","total":0}],"referenceCount":1,"citationCount":0,"citationsOverTime":[],"partCount":0,"partOfCount":0,"versionCount":0,"versionOfCount":0,"created":"2018-08-15T02:50:22.000Z","registered":"2018-08-16T05:35:01.000Z","published":"2018","updated":"2021-03-27T00:40:49.000Z"},"relationships":{"client":{"data":{"id":"figshare.ars","type":"clients"}},"provider":{"data":{"id":"otjm","type":"providers"}},"media":{"data":{"id":"10.6084/m9.figshare.6968213.v1","type":"media"}},"references":{"data":[{"id":"10.5007/2175-8026.2018v71n2p109","type":"dois"}]},"citations":{"data":[]},"parts":{"data":[]},"partOf":{"data":[]},"versions":{"data":[]},"versionOf":{"data":[]}}}}