{"data":{"id":"10.6084/m9.figshare.1444299","type":"dois","attributes":{"doi":"10.6084/m9.figshare.1444299","prefix":"10.6084","suffix":"m9.figshare.1444299","identifiers":[],"alternateIdentifiers":[],"creators":[{"name":"Współczesna, Kultura","nameType":"Personal","givenName":"Kultura","familyName":"Współczesna","affiliation":[],"nameIdentifiers":[{"schemeUri":"https://orcid.org","nameIdentifier":"https://orcid.org/0000-0003-4731-1052","nameIdentifierScheme":"ORCID"}]},{"name":"Stronciwilk, Agata","nameType":"Personal","givenName":"Agata","familyName":"Stronciwilk","affiliation":[],"nameIdentifiers":[]},{"name":"Narodowe Centrum Kultury","affiliation":[],"nameIdentifiers":[]}],"titles":[{"title":"Oblicza wstrętu w polskiej sztuce współczesnej / Facets of Abject in Polish Modern Art"}],"publisher":"figshare","container":{},"publicationYear":2015,"subjects":[{"subject":"Sociology"},{"subject":"FOS: Sociology","schemeUri":"http://www.oecd.org/science/inno/38235147.pdf","subjectScheme":"Fields of Science and Technology (FOS)"},{"subject":"FOS: Sociology","subjectScheme":"Fields of Science and Technology (FOS)"},{"subject":"Anthropology"}],"contributors":[],"dates":[{"date":"2015-06-10","dateType":"Created"},{"date":"2015-06-10","dateType":"Updated"},{"date":"2015","dateType":"Issued"}],"language":null,"types":{"ris":"DATA","bibtex":"misc","citeproc":"dataset","schemaOrg":"Dataset","resourceType":"Dataset","resourceTypeGeneral":"Dataset"},"relatedIdentifiers":[],"relatedItems":[],"sizes":["253981 Bytes"],"formats":[],"version":null,"rightsList":[{"rights":"Creative Commons Attribution 4.0 International","rightsUri":"https://creativecommons.org/licenses/by/4.0/legalcode","schemeUri":"https://spdx.org/licenses/","rightsIdentifier":"cc-by-4.0","rightsIdentifierScheme":"SPDX"}],"descriptions":[{"description":"The article is an attempt to reflect upon the presence of abject in Polish modern art. 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