{"data":{"id":"10.6084/m9.figshare.1441364","type":"dois","attributes":{"doi":"10.6084/m9.figshare.1441364","prefix":"10.6084","suffix":"m9.figshare.1441364","identifiers":[],"alternateIdentifiers":[],"creators":[{"name":"Współczesna, Kultura","nameType":"Personal","givenName":"Kultura","familyName":"Współczesna","affiliation":[],"nameIdentifiers":[{"schemeUri":"https://orcid.org","nameIdentifier":"https://orcid.org/0000-0003-4731-1052","nameIdentifierScheme":"ORCID"}]},{"name":"Skórzyńska, Agata","nameType":"Personal","givenName":"Agata","familyName":"Skórzyńska","affiliation":[],"nameIdentifiers":[]},{"name":"Juskowiak, Piotr","nameType":"Personal","givenName":"Piotr","familyName":"Juskowiak","affiliation":[],"nameIdentifiers":[]},{"name":"Rewers, Ewa","nameType":"Personal","givenName":"Ewa","familyName":"Rewers","affiliation":[],"nameIdentifiers":[]},{"name":"Wójtowicz, Ewa","nameType":"Personal","givenName":"Ewa","familyName":"Wójtowicz","affiliation":[],"nameIdentifiers":[]},{"name":"Bishop, Claire","nameType":"Personal","givenName":"Claire","familyName":"Bishop","affiliation":[],"nameIdentifiers":[]},{"name":"Sowa, Jan","nameType":"Personal","givenName":"Jan","familyName":"Sowa","affiliation":[],"nameIdentifiers":[]},{"name":"Pospiszyl, Marek","nameType":"Personal","givenName":"Marek","familyName":"Pospiszyl","affiliation":[],"nameIdentifiers":[]},{"name":"Majewska, Ewa","nameType":"Personal","givenName":"Ewa","familyName":"Majewska","affiliation":[],"nameIdentifiers":[]},{"name":"Kosińska, Marta","nameType":"Personal","givenName":"Marta","familyName":"Kosińska","affiliation":[],"nameIdentifiers":[]},{"name":"Moraczewski, Krzysztof","nameType":"Personal","givenName":"Krzysztof","familyName":"Moraczewski","affiliation":[],"nameIdentifiers":[]},{"name":"Sikorska, Karolina","nameType":"Personal","givenName":"Karolina","familyName":"Sikorska","affiliation":[],"nameIdentifiers":[]},{"name":"Zimpel, Jadwiga","nameType":"Personal","givenName":"Jadwiga","familyName":"Zimpel","affiliation":[],"nameIdentifiers":[]},{"name":"Brzozowska, Blanka","nameType":"Personal","givenName":"Blanka","familyName":"Brzozowska","affiliation":[],"nameIdentifiers":[]},{"name":"Łukasz Kaczmarczyk","affiliation":[],"nameIdentifiers":[]},{"name":"Parafianowicz-Vertun, Weronika","nameType":"Personal","givenName":"Weronika","familyName":"Parafianowicz-Vertun","affiliation":[],"nameIdentifiers":[]},{"name":"Wiśniewska, Justyna","nameType":"Personal","givenName":"Justyna","familyName":"Wiśniewska","affiliation":[],"nameIdentifiers":[]}],"titles":[{"title":"Kultura Współczesna 2/2013 - Sztuka współpracy / Contemporary Culture 2/2013 - The Art of Cooperation"}],"publisher":"figshare","container":{},"publicationYear":2015,"subjects":[{"subject":"Sociology"},{"subject":"FOS: Sociology","schemeUri":"http://www.oecd.org/science/inno/38235147.pdf","subjectScheme":"Fields of Science and Technology (FOS)"},{"subject":"FOS: Sociology","subjectScheme":"Fields of Science and Technology (FOS)"},{"subject":"Anthropology"},{"subject":"Performing Arts"}],"contributors":[],"dates":[{"date":"2015-06-09","dateType":"Created"},{"date":"2015-06-09","dateType":"Updated"},{"date":"2015","dateType":"Issued"}],"language":null,"types":{"ris":"DATA","bibtex":"misc","citeproc":"dataset","schemaOrg":"Dataset","resourceType":"Dataset","resourceTypeGeneral":"Dataset"},"relatedIdentifiers":[],"relatedItems":[],"sizes":["7814652 Bytes"],"formats":[],"version":null,"rightsList":[{"rights":"Creative Commons Attribution 4.0 International","rightsUri":"https://creativecommons.org/licenses/by/4.0/legalcode","schemeUri":"https://spdx.org/licenses/","rightsIdentifier":"cc-by-4.0","rightsIdentifierScheme":"SPDX"}],"descriptions":[{"description":"Tytułowa kategoria „sztuki współpracy” wydaje się dobrze oddawać tendencje obserwowane w praktykach artystycznych przełomu XX i XXI wieku, ujmowanych na różne sposoby przez Miwon Kwon, Rosalyn Deutsche, Granta Kestera, Nicolasa Bourriauda czy Claire Bishop w ramy tak zwanego „zwrotu społecznego”, który miałby być konsekwentnie wynikającą z przemian sztuki dwudziestowiecznej, a jednak nową i specyficzną formą operowania sztuki w przestrzeni publicznej. Autorzy zgromadzonych w niniejszym tomie tekstów podejmują się zarówno uzasadnienia, jak i krytycznego namysłu nad stosowaniem owej kategorii w aktualnej refleksji naukowej i debatach związanych ze sztuką, ale także z praktykami badawczymi, edukacyjnymi czy z popularnymi praktykami kulturowymi. Podejmują problem, który wybrzmiewa również w inaugurujących ten tom wypowiedziach wpływowego teoretyka collaborative art, Granta Kestera: na ile współpraca w praktyce artystycznej jest jej trwałym i od dawna obecnym elementem, a na ile stanowi „nowy paradygmat” w sztuce? Celem, jaki stawiają sobie autorki i autorzy zamieszczonych w tym numerze „Kultury Współczesnej” artykułów, jest również wypracowanie krytycznego namysłu nad „rodzinnie podobnymi” pojęciami, które trwalej niż tytułowe zagadnienie zadomowiły się w anglosaskiej teorii sztuki, takimi jak sztuka partycypacyjna, community-based art czy sztuka 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