{"data":{"id":"10.4231/r7zc813x","type":"dois","attributes":{"doi":"10.4231/r7zc813x","prefix":"10.4231","suffix":"r7zc813x","identifiers":[],"alternateIdentifiers":[],"creators":[{"name":"Deleuze, Gilles","nameType":"Personal","givenName":"Gilles","familyName":"Deleuze","affiliation":[],"nameIdentifiers":[]}],"titles":[{"title":"Foucault: Lecture 5, 19 November 1985 (Version 1)"}],"publisher":"Purdue University Research Repository","container":{},"publicationYear":2018,"subjects":[{"subject":"Linguistics"},{"subject":"FOS: Languages and literature","schemeUri":"http://www.oecd.org/science/inno/38235147.pdf","subjectScheme":"Fields of Science and Technology (FOS)"},{"subject":"Philosophy"},{"subject":"FOS: Philosophy, ethics and religion","schemeUri":"http://www.oecd.org/science/inno/38235147.pdf","subjectScheme":"Fields of Science and Technology (FOS)"},{"subject":"20th Century French Philosophy"},{"subject":"Gilles Deleuze"},{"subject":"Michel Foucault"},{"subject":"Audio Recording"},{"subject":"Immanuel Kant"},{"subject":"Deleuze Recordings"},{"subject":"Maurice Blanchot"},{"subject":"G.W. Leibniz"},{"subject":"Deleuze Seminars"},{"subject":"Painting"},{"subject":"Infinity"},{"subject":"Archive"},{"subject":"Light"},{"subject":"Samuel Beckett"},{"subject":"The Archaeology of Knowledge"},{"subject":"Jean-Paul Sartre"},{"subject":"Finitude"},{"subject":"Blaise Pascal"},{"subject":"René Magritte"},{"subject":"FOS: Philosophy, ethics and religion","schemeUri":"https://web-archive.oecd.org/2012-06-15/138575-38235147.pdf","subjectScheme":"Fields of Science and Technology (FOS)","classificationCode":"6.3"}],"contributors":[{"name":"Deleuze, Gilles","nameType":"Personal","givenName":"Gilles","familyName":"Deleuze","affiliation":[],"contributorType":"ContactPerson","nameIdentifiers":[]}],"dates":[{"date":"2018-03-05","dateType":"Available"},{"date":"2018-03-05","dateType":"Submitted"},{"date":"2018-03-07","dateType":"Accepted"},{"date":"2018","dateType":"Issued"}],"language":"en","types":{"ris":"DATA","bibtex":"misc","citeproc":"dataset","schemaOrg":"Dataset","resourceType":"Datasets","resourceTypeGeneral":"Dataset"},"relatedIdentifiers":[{"relationType":"IsPreviousVersionOf","relatedIdentifier":"10.4231/8324-4g90","relatedIdentifierType":"DOI"}],"relatedItems":[],"sizes":["9 files","244 MB"],"formats":["audio/mpeg","application/pdf","text/plain","image/jpeg"],"version":"1.0","rightsList":[{"rights":"Creative Commons Zero v1.0 Universal","rightsUri":"https://creativecommons.org/publicdomain/zero/1.0/legalcode","schemeUri":"https://spdx.org/licenses/","rightsIdentifier":"cc0-1.0","rightsIdentifierScheme":"SPDX"}],"descriptions":[{"description":"\u0026lt;p\u0026gt;\u0026lt;em\u0026gt;The Deleuze Seminars\u0026lt;/em\u0026gt; is a collection of audio recordings, transcriptions, and English translations of, and supplemental materials from, the lectures French philosopher Gilles\u0026amp;nbsp;Deleuze gave during his career at the University of Paris 8.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;\u0026amp;quot;Foucault\u0026amp;quot; was a 25-lecture seminar given from October 1985 to May 1986. In these lectures, Deleuze offers his interpretation and analysis of French philosopher Michel Foucault\u0026amp;#39;s work. Examining the theoretical foundations and major themes of Foucault\u0026amp;#39;s philosophy, Deleuze dedicates several lectures to each of what he calls the \u0026amp;quot;three axes\u0026amp;quot; of Foucault\u0026amp;#39;s thought. This seminar coincides with the publication of Deleuze\u0026amp;#39;s book \u0026lt;em\u0026gt;Foucault\u0026lt;/em\u0026gt; (1986).\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;In the 19 November 1985 lecture, topics of discussion include: the statement and extrinsic variables; the logic and linguistics of propositions; the heterogeneity of the statement; the statement and vector fields (\u0026lt;em\u0026gt;les champs de vecteurs\u0026lt;/em\u0026gt;); the subject, the object, and the concept of the statement; Blanchot and the unassignable \u0026lt;em\u0026gt;on\u0026lt;/em\u0026gt; (le \u0026lt;em\u0026gt;on\u0026lt;/em\u0026gt;); Irish writer Samuel Beckett; statements and propositions; Foucault\u0026amp;#39;s \u0026lt;em\u0026gt;The Archeology of Knowledge\u0026lt;/em\u0026gt;; French philosopher Jean-Paul Sartre, the dream and perception; the audio-visual archive and the statable (\u0026lt;em\u0026gt;l\u0026amp;#39;\u0026amp;eacute;nonҫable\u0026lt;/em\u0026gt;); light and the corpus of things, objects, states of things and sensible qualities; the painting; paintings (\u0026lt;em\u0026gt;les tableaux\u0026lt;/em\u0026gt;) as a regime of light which conditions everything else in Foucault\u0026amp;rsquo;s philosophy; the relations between the statable and the visible; the disjunction between \u0026amp;lsquo;to see\u0026amp;rsquo; (\u0026lt;em\u0026gt;voir\u0026lt;/em\u0026gt;) and \u0026amp;lsquo;to speak\u0026amp;rsquo; (\u0026lt;em\u0026gt;parler\u0026lt;/em\u0026gt;); Belgian artist Ren\u0026amp;eacute; Magritte\u0026amp;rsquo;s \u0026lt;em\u0026gt;The Treachery of Images\u0026lt;/em\u0026gt; (\u0026amp;ldquo;This Is Not a Pipe\u0026amp;rdquo;); Foucault, German philosopher Immanuel Kant, and the difference in the nature of the two faculties of the human mind (space-time as the form of intuition, and the concept); that the form of any concept is \u0026lt;em\u0026gt;a = a\u0026lt;/em\u0026gt;; space and time as the forms of receptivity; the \u0026amp;ldquo;I think\u0026amp;rdquo; (\u0026lt;em\u0026gt;je pense\u0026lt;/em\u0026gt;) as the form of personal spontaneity; intuition as a fundamental disequilibrium in humans; that from the point of view of the infinite, or of God, everything is concept; creation \u0026lt;em\u0026gt;ex nihilo\u0026lt;/em\u0026gt;; German philosopher Gottfried Wilhelm Leibniz and difference as being in the concept (which Kant opposes); Kant, constituent finitude, and the irreducibility of the given to the concept; the philosophy of the seventeenth century, and the infinite and the finite; French mathematician and writer Blaise Pascal and the orders of infinity; and Kant, aesthetic judgment and the schematism of the imagination.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;This dataset includes: five mp3 recordings of the lecture (total time, 3:01:08), an aggregate version of the audio recordings into a single mp3, and the complete French transcription of the recorded lecture in both pdf (36 pp) and plain text.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;-\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;\u0026lt;em\u0026gt;Les S\u0026amp;eacute;minaires de Deleuze\u0026lt;/em\u0026gt; sont une collection d\u0026amp;#39;enregistrements audio, de transcriptions et de traductions en anglais et de documents compl\u0026amp;eacute;mentaires des conf\u0026amp;eacute;rences que le philosophe fran\u0026amp;ccedil;ais Gilles Deleuze a donn\u0026amp;eacute; lors de sa carri\u0026amp;egrave;re \u0026amp;agrave; l\u0026amp;#39;Universit\u0026amp;eacute; de Paris 8.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;\u0026amp;laquo;Foucault\u0026amp;raquo; \u0026amp;eacute;tait un s\u0026amp;eacute;minaire de 25 conf\u0026amp;eacute;rences donn\u0026amp;eacute; d\u0026amp;#39;octobre 1985 \u0026amp;agrave; mai 1986. Dans ces conf\u0026amp;eacute;rences, Deleuze offre son interpr\u0026amp;eacute;tation et son analyse de l\u0026amp;rsquo;\u0026amp;oelig;uvre du philosophe fran\u0026amp;ccedil;ais Michel Foucault. En examinant les fondements th\u0026amp;eacute;oriques et les th\u0026amp;egrave;mes majeurs de la philosophie de Foucault, Deleuze consacre plusieurs conf\u0026amp;eacute;rences \u0026amp;agrave; chacun de ce qu\u0026amp;#39;il appelle les \u0026amp;laquo;trois axes\u0026amp;raquo; de la pens\u0026amp;eacute;e de Foucault. Ce s\u0026amp;eacute;minaire co\u0026amp;iuml;ncide avec la publication du livre de Deleuze \u0026lt;em\u0026gt;Foucault\u0026lt;/em\u0026gt; (1986).\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;Dans la conf\u0026amp;eacute;rence du 19 novembre 1985, les sujets de discussion comprennent: l\u0026amp;#39;\u0026amp;eacute;nonc\u0026amp;eacute; et les variables extrins\u0026amp;egrave;ques; la logique et la linguistique des propositions; l\u0026amp;#39;h\u0026amp;eacute;t\u0026amp;eacute;rog\u0026amp;eacute;n\u0026amp;eacute;it\u0026amp;eacute; de l\u0026amp;#39;\u0026amp;eacute;nonc\u0026amp;eacute;; l\u0026amp;#39;\u0026amp;eacute;nonc\u0026amp;eacute; et les champs de vecteurs; le sujet, l\u0026amp;#39;objet et le concept de l\u0026amp;#39;\u0026amp;eacute;nonc\u0026amp;eacute;; Blanchot et le \u0026lt;em\u0026gt;on\u0026lt;/em\u0026gt; inassignable; l\u0026amp;#39;\u0026amp;eacute;crivain irlandais Samuel Beckett; l\u0026amp;#39;\u0026amp;eacute;nonc\u0026amp;eacute;s et propositions; \u0026lt;em\u0026gt;L\u0026amp;#39;arch\u0026amp;eacute;ologie du savoir \u0026lt;/em\u0026gt;de Foucault; le philosophe fran\u0026amp;ccedil;ais Jean-Paul Sartre, le r\u0026amp;ecirc;ve et la perception; l\u0026amp;#39;archive audio-visuelle et l\u0026amp;#39;\u0026amp;eacute;nonҫable; la lumi\u0026amp;egrave;re et le corpus des choses, des objets, des \u0026amp;eacute;tats de choses et des qualit\u0026amp;eacute;s sensibles; la peinture; les tableaux comme un r\u0026amp;eacute;gime de lumi\u0026amp;egrave;re qui conditionne tout le reste de la philosophie de Foucault; les rapports entre l\u0026amp;#39;\u0026amp;eacute;nonҫable et le visible; la disjonction entre voir et parler; \u0026lt;em\u0026gt;La trahison des images\u0026lt;/em\u0026gt; (\u0026lt;em\u0026gt;Ceci n\u0026amp;rsquo;est pas une pipe\u0026lt;/em\u0026gt;) de l\u0026amp;#39;artiste belge Ren\u0026amp;eacute; Magritte; Foucault, le philosophe allemand Immanuel Kant, et la diff\u0026amp;eacute;rence dans la nature des deux facult\u0026amp;eacute;s de l\u0026amp;#39;esprit humain (l\u0026amp;#39;espace-temps comme forme d\u0026amp;#39;intuition, et le concept); que la forme de tout concept est \u0026lt;em\u0026gt;a = a\u0026lt;/em\u0026gt;; l\u0026amp;#39;espace et le temps comme formes de r\u0026amp;eacute;ceptivit\u0026amp;eacute;; \u0026lt;em\u0026gt;je pense\u0026lt;/em\u0026gt; comme forme de spontan\u0026amp;eacute;it\u0026amp;eacute; personnelle; l\u0026amp;#39;intuition comme un d\u0026amp;eacute;s\u0026amp;eacute;quilibre fondamental chez humains; que du point de vue de l\u0026amp;#39;infini, ou de Dieu, tout est concept; cr\u0026amp;eacute;ation \u0026lt;em\u0026gt;ex nihilo\u0026lt;/em\u0026gt;; le philosophe allemand Gottfried Wilhelm Leibniz et diff\u0026amp;eacute;rence comme \u0026amp;eacute;tant dans le concept (que Kant oppose); Kant, la finitude constituante, et l\u0026amp;#39;irr\u0026amp;eacute;ductibilit\u0026amp;eacute; du donn\u0026amp;eacute; au concept; la philosophie du XVIIe si\u0026amp;egrave;cle, et l\u0026amp;#39;infini et le fini; le math\u0026amp;eacute;maticien et \u0026amp;eacute;crivain fran\u0026amp;ccedil;ais Blaise Pascal et les ordres de l\u0026amp;#39;infini; et Kant, le jugement esth\u0026amp;eacute;tique et le sch\u0026amp;eacute;matisme de l\u0026amp;#39;imagination.\u0026lt;/p\u0026gt;","descriptionType":"Abstract"},{"description":"Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 19 November 1985. This is lecture 5 of a 25-lecture seminar Deleuze taught between October 1985 and May 1986.","descriptionType":"Other"}],"geoLocations":[],"fundingReferences":[],"xml":"<?xml version="1.0" encoding="UTF-8"?>
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  <identifier identifierType="DOI">10.4231/R7ZC813X</identifier>
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      <creatorName>Deleuze, Gilles</creatorName>
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  <titles>
    <title>Foucault: Lecture 5, 19 November 1985 (Version 1)</title>
  </titles>
  <publisher xml:lang="en" publisherIdentifier="https://www.re3data.org/repository/r3d100010951" publisherIdentifierScheme="re3data" schemeURI="https://www.re3data.org/">Purdue University Research Repository</publisher>
  <publicationYear>2018</publicationYear>
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      <contributorName nameType="Personal">Gilles Deleuze</contributorName>
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    </contributor>
  </contributors>
  <dates>
    <date dateType="Available">2018-03-05</date>
    <date dateType="Submitted">2018-03-05</date>
    <date dateType="Accepted">2018-03-07</date>
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  <subjects>
    <subject>Linguistics</subject>
    <subject>Philosophy</subject>
    <subject>20th Century French Philosophy</subject>
    <subject>Gilles Deleuze</subject>
    <subject>Michel Foucault</subject>
    <subject>Audio Recording</subject>
    <subject>Immanuel Kant</subject>
    <subject>Deleuze Recordings</subject>
    <subject>Maurice Blanchot</subject>
    <subject>G.W. Leibniz</subject>
    <subject>Deleuze Seminars</subject>
    <subject>Painting</subject>
    <subject>Infinity</subject>
    <subject>Archive</subject>
    <subject>Light</subject>
    <subject>Samuel Beckett</subject>
    <subject>The Archaeology of Knowledge</subject>
    <subject>Jean-Paul Sartre</subject>
    <subject>Finitude</subject>
    <subject>Blaise Pascal</subject>
    <subject>René Magritte</subject>
    <subject subjectScheme="Fields of Science and Technology (FOS)" schemeURI="https://web-archive.oecd.org/2012-06-15/138575-38235147.pdf" classificationCode="6.3">FOS: Philosophy, ethics and religion</subject>
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  <descriptions>
    <description descriptionType="Abstract">&amp;lt;p&amp;gt;&amp;lt;em&amp;gt;The Deleuze Seminars&amp;lt;/em&amp;gt; is a collection of audio recordings, transcriptions, and English translations of, and supplemental materials from, the lectures French philosopher Gilles&amp;amp;nbsp;Deleuze gave during his career at the University of Paris 8.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;&amp;amp;quot;Foucault&amp;amp;quot; was a 25-lecture seminar given from October 1985 to May 1986. In these lectures, Deleuze offers his interpretation and analysis of French philosopher Michel Foucault&amp;amp;#39;s work. Examining the theoretical foundations and major themes of Foucault&amp;amp;#39;s philosophy, Deleuze dedicates several lectures to each of what he calls the &amp;amp;quot;three axes&amp;amp;quot; of Foucault&amp;amp;#39;s thought. This seminar coincides with the publication of Deleuze&amp;amp;#39;s book &amp;lt;em&amp;gt;Foucault&amp;lt;/em&amp;gt; (1986).&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;In the 19 November 1985 lecture, topics of discussion include: the statement and extrinsic variables; the logic and linguistics of propositions; the heterogeneity of the statement; the statement and vector fields (&amp;lt;em&amp;gt;les champs de vecteurs&amp;lt;/em&amp;gt;); the subject, the object, and the concept of the statement; Blanchot and the unassignable &amp;lt;em&amp;gt;on&amp;lt;/em&amp;gt; (le &amp;lt;em&amp;gt;on&amp;lt;/em&amp;gt;); Irish writer Samuel Beckett; statements and propositions; Foucault&amp;amp;#39;s &amp;lt;em&amp;gt;The Archeology of Knowledge&amp;lt;/em&amp;gt;; French philosopher Jean-Paul Sartre, the dream and perception; the audio-visual archive and the statable (&amp;lt;em&amp;gt;l&amp;amp;#39;&amp;amp;eacute;nonҫable&amp;lt;/em&amp;gt;); light and the corpus of things, objects, states of things and sensible qualities; the painting; paintings (&amp;lt;em&amp;gt;les tableaux&amp;lt;/em&amp;gt;) as a regime of light which conditions everything else in Foucault&amp;amp;rsquo;s philosophy; the relations between the statable and the visible; the disjunction between &amp;amp;lsquo;to see&amp;amp;rsquo; (&amp;lt;em&amp;gt;voir&amp;lt;/em&amp;gt;) and &amp;amp;lsquo;to speak&amp;amp;rsquo; (&amp;lt;em&amp;gt;parler&amp;lt;/em&amp;gt;); Belgian artist Ren&amp;amp;eacute; Magritte&amp;amp;rsquo;s &amp;lt;em&amp;gt;The Treachery of Images&amp;lt;/em&amp;gt; (&amp;amp;ldquo;This Is Not a Pipe&amp;amp;rdquo;); Foucault, German philosopher Immanuel Kant, and the difference in the nature of the two faculties of the human mind (space-time as the form of intuition, and the concept); that the form of any concept is &amp;lt;em&amp;gt;a = a&amp;lt;/em&amp;gt;; space and time as the forms of receptivity; the &amp;amp;ldquo;I think&amp;amp;rdquo; (&amp;lt;em&amp;gt;je pense&amp;lt;/em&amp;gt;) as the form of personal spontaneity; intuition as a fundamental disequilibrium in humans; that from the point of view of the infinite, or of God, everything is concept; creation &amp;lt;em&amp;gt;ex nihilo&amp;lt;/em&amp;gt;; German philosopher Gottfried Wilhelm Leibniz and difference as being in the concept (which Kant opposes); Kant, constituent finitude, and the irreducibility of the given to the concept; the philosophy of the seventeenth century, and the infinite and the finite; French mathematician and writer Blaise Pascal and the orders of infinity; and Kant, aesthetic judgment and the schematism of the imagination.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;This dataset includes: five mp3 recordings of the lecture (total time, 3:01:08), an aggregate version of the audio recordings into a single mp3, and the complete French transcription of the recorded lecture in both pdf (36 pp) and plain text.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;-&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;&amp;lt;em&amp;gt;Les S&amp;amp;eacute;minaires de Deleuze&amp;lt;/em&amp;gt; sont une collection d&amp;amp;#39;enregistrements audio, de transcriptions et de traductions en anglais et de documents compl&amp;amp;eacute;mentaires des conf&amp;amp;eacute;rences que le philosophe fran&amp;amp;ccedil;ais Gilles Deleuze a donn&amp;amp;eacute; lors de sa carri&amp;amp;egrave;re &amp;amp;agrave; l&amp;amp;#39;Universit&amp;amp;eacute; de Paris 8.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;&amp;amp;laquo;Foucault&amp;amp;raquo; &amp;amp;eacute;tait un s&amp;amp;eacute;minaire de 25 conf&amp;amp;eacute;rences donn&amp;amp;eacute; d&amp;amp;#39;octobre 1985 &amp;amp;agrave; mai 1986. Dans ces conf&amp;amp;eacute;rences, Deleuze offre son interpr&amp;amp;eacute;tation et son analyse de l&amp;amp;rsquo;&amp;amp;oelig;uvre du philosophe fran&amp;amp;ccedil;ais Michel Foucault. En examinant les fondements th&amp;amp;eacute;oriques et les th&amp;amp;egrave;mes majeurs de la philosophie de Foucault, Deleuze consacre plusieurs conf&amp;amp;eacute;rences &amp;amp;agrave; chacun de ce qu&amp;amp;#39;il appelle les &amp;amp;laquo;trois axes&amp;amp;raquo; de la pens&amp;amp;eacute;e de Foucault. Ce s&amp;amp;eacute;minaire co&amp;amp;iuml;ncide avec la publication du livre de Deleuze &amp;lt;em&amp;gt;Foucault&amp;lt;/em&amp;gt; (1986).&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;Dans la conf&amp;amp;eacute;rence du 19 novembre 1985, les sujets de discussion comprennent: l&amp;amp;#39;&amp;amp;eacute;nonc&amp;amp;eacute; et les variables extrins&amp;amp;egrave;ques; la logique et la linguistique des propositions; l&amp;amp;#39;h&amp;amp;eacute;t&amp;amp;eacute;rog&amp;amp;eacute;n&amp;amp;eacute;it&amp;amp;eacute; de l&amp;amp;#39;&amp;amp;eacute;nonc&amp;amp;eacute;; l&amp;amp;#39;&amp;amp;eacute;nonc&amp;amp;eacute; et les champs de vecteurs; le sujet, l&amp;amp;#39;objet et le concept de l&amp;amp;#39;&amp;amp;eacute;nonc&amp;amp;eacute;; Blanchot et le &amp;lt;em&amp;gt;on&amp;lt;/em&amp;gt; inassignable; l&amp;amp;#39;&amp;amp;eacute;crivain irlandais Samuel Beckett; l&amp;amp;#39;&amp;amp;eacute;nonc&amp;amp;eacute;s et propositions; &amp;lt;em&amp;gt;L&amp;amp;#39;arch&amp;amp;eacute;ologie du savoir &amp;lt;/em&amp;gt;de Foucault; le philosophe fran&amp;amp;ccedil;ais Jean-Paul Sartre, le r&amp;amp;ecirc;ve et la perception; l&amp;amp;#39;archive audio-visuelle et l&amp;amp;#39;&amp;amp;eacute;nonҫable; la lumi&amp;amp;egrave;re et le corpus des choses, des objets, des &amp;amp;eacute;tats de choses et des qualit&amp;amp;eacute;s sensibles; la peinture; les tableaux comme un r&amp;amp;eacute;gime de lumi&amp;amp;egrave;re qui conditionne tout le reste de la philosophie de Foucault; les rapports entre l&amp;amp;#39;&amp;amp;eacute;nonҫable et le visible; la disjonction entre voir et parler; &amp;lt;em&amp;gt;La trahison des images&amp;lt;/em&amp;gt; (&amp;lt;em&amp;gt;Ceci n&amp;amp;rsquo;est pas une pipe&amp;lt;/em&amp;gt;) de l&amp;amp;#39;artiste belge Ren&amp;amp;eacute; Magritte; Foucault, le philosophe allemand Immanuel Kant, et la diff&amp;amp;eacute;rence dans la nature des deux facult&amp;amp;eacute;s de l&amp;amp;#39;esprit humain (l&amp;amp;#39;espace-temps comme forme d&amp;amp;#39;intuition, et le concept); que la forme de tout concept est &amp;lt;em&amp;gt;a = a&amp;lt;/em&amp;gt;; l&amp;amp;#39;espace et le temps comme formes de r&amp;amp;eacute;ceptivit&amp;amp;eacute;; &amp;lt;em&amp;gt;je pense&amp;lt;/em&amp;gt; comme forme de spontan&amp;amp;eacute;it&amp;amp;eacute; personnelle; l&amp;amp;#39;intuition comme un d&amp;amp;eacute;s&amp;amp;eacute;quilibre fondamental chez humains; que du point de vue de l&amp;amp;#39;infini, ou de Dieu, tout est concept; cr&amp;amp;eacute;ation &amp;lt;em&amp;gt;ex nihilo&amp;lt;/em&amp;gt;; le philosophe allemand Gottfried Wilhelm Leibniz et diff&amp;amp;eacute;rence comme &amp;amp;eacute;tant dans le concept (que Kant oppose); Kant, la finitude constituante, et l&amp;amp;#39;irr&amp;amp;eacute;ductibilit&amp;amp;eacute; du donn&amp;amp;eacute; au concept; la philosophie du XVIIe si&amp;amp;egrave;cle, et l&amp;amp;#39;infini et le fini; le math&amp;amp;eacute;maticien et &amp;amp;eacute;crivain fran&amp;amp;ccedil;ais Blaise Pascal et les ordres de l&amp;amp;#39;infini; et Kant, le jugement esth&amp;amp;eacute;tique et le sch&amp;amp;eacute;matisme de l&amp;amp;#39;imagination.&amp;lt;/p&amp;gt;</description>
    <description descriptionType="Other">Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 19 November 1985. This is lecture 5 of a 25-lecture seminar Deleuze taught between October 1985 and May 1986.</description>
  </descriptions>
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