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In this seminar, Deleuze critiques aesthetic theories which treat art as \u0026amp;lsquo;representation\u0026amp;rsquo;, presenting instead his own aesthetic concepts. Many of the concepts and works of art discussed herein also appear in Deleuze\u0026amp;rsquo;s book published the same year,\u0026lt;em\u0026gt; Francis Bacon-Logique de la sensation\u0026lt;/em\u0026gt; (\u0026lt;em\u0026gt;Francis Bacon: The Logic of Sensation\u0026lt;/em\u0026gt;), making \u0026amp;ldquo;Painting and the Question of Concepts\u0026amp;rdquo; an important companion to Deleuze\u0026amp;rsquo;s book.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;In the 05 May 1981 lecture, topics of discussion include: the three diagrammatic positions (expressionist, abstraction, figural); Kandinsky; Piet Mondrian; French writer Michel Butor; Auguste Herbin; a definition of painting as it would be constructed from Deleuze\u0026amp;rsquo;s concept of diagram; digital language and analogic language; Charles Sanders Peirce and his theory of icons; British anthropologist and linguist Gregory Bateson and the language of dolphins; modulation of light and colors; and Jean-Jacques Rousseau and the \u0026lt;em\u0026gt;Essay on the Origin of Languages\u0026lt;/em\u0026gt;.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;This dataset includes: three mp3 recordings of the lecture (total time, 2:34:24), an aggregate version of the audio recordings into a single mp3, and the complete French transcription of the recorded lecture in both pdf (35 pp) and plain text.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;Note: The aggregate audio file has downsampled.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;-\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;\u0026lt;em\u0026gt;Les S\u0026amp;eacute;minaires de Deleuze\u0026lt;/em\u0026gt; sont une collection d\u0026amp;#39;enregistrements audio, de transcriptions et de traductions en anglais et de documents compl\u0026amp;eacute;mentaires des conf\u0026amp;eacute;rences que le philosophe fran\u0026amp;ccedil;ais Gilles Deleuze a donn\u0026amp;eacute; lors de sa carri\u0026amp;egrave;re \u0026amp;agrave; l\u0026amp;#39;Universit\u0026amp;eacute; de Paris 8.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;\u0026amp;laquo;La peinture et la question des concepts\u0026amp;raquo; \u0026amp;eacute;tait un s\u0026amp;eacute;minaire de 8 conf\u0026amp;eacute;rences donn\u0026amp;eacute; de fin mars \u0026amp;agrave; d\u0026amp;eacute;but juin 1981. Dans ce s\u0026amp;eacute;minaire, Deleuze critique les th\u0026amp;eacute;ories esth\u0026amp;eacute;tiques qui traitent l\u0026amp;#39;art comme \u0026amp;laquo;repr\u0026amp;eacute;sentation\u0026amp;raquo;, pr\u0026amp;eacute;sentant ses propres concepts esth\u0026amp;eacute;tiques. Beaucoup de concepts et d\u0026amp;#39;\u0026amp;oelig;uvres d\u0026amp;#39;art d\u0026amp;eacute;crites ici apparaissent \u0026amp;eacute;galement dans le livre de Deleuze publi\u0026amp;eacute; la m\u0026amp;ecirc;me ann\u0026amp;eacute;e, \u0026lt;em\u0026gt;Francis Bacon-Logique de la sensation\u0026lt;/em\u0026gt;, faisant de \u0026amp;laquo;La peinture et de la question des concepts\u0026amp;raquo; un important compagnon de le livre de Deleuze.\u0026lt;/p\u0026gt;\n\n\u0026lt;p\u0026gt;Dans la lecture du 05 mai 1981, les sujets de discussion comprennent: de trois positions diagrammatiques (expressionniste, de l\u0026amp;rsquo;abstraction, figurale); Kandinsky; Piet Mondrian; l\u0026amp;#39;\u0026amp;eacute;crivain fran\u0026amp;ccedil;ais Michel Butor; Auguste Herbin; une d\u0026amp;eacute;finition de la peinture car elle serait construite \u0026amp;agrave; partir du concept de diagramme de Deleuze; le langage digital et le langage analogique; Charles Sanders Peirce et sa th\u0026amp;eacute;orie des ic\u0026amp;ocirc;nes; l\u0026amp;#39;anthropologue et linguiste britannique Gregory Bateson et le langage des dauphins; la modulation de la lumi\u0026amp;egrave;re et des couleurs; et Jean-Jacques Rousseau et \u0026lt;em\u0026gt;Essai sur l\u0026amp;#39;origine des langues\u0026lt;/em\u0026gt;.\u0026lt;/p\u0026gt;","descriptionType":"Abstract"},{"description":"Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 05 May 1981. This is lecture 4 of an 8-lecture seminar Deleuze taught between March and June 1981.","descriptionType":"Other"}],"geoLocations":[],"fundingReferences":[],"xml":"<?xml version="1.0" encoding="UTF-8"?>
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    <title>Painting and the Question of Concepts: Lecture 4, 05 May 1981 (Version 1)</title>
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    <subject>Philosophy</subject>
    <subject>20th Century French Philosophy</subject>
    <subject>Gilles Deleuze</subject>
    <subject>Audio Recording</subject>
    <subject>Deleuze Recordings</subject>
    <subject>Philosophy and Literature</subject>
    <subject>Semiotics</subject>
    <subject>Deleuze Seminars</subject>
    <subject>Art History</subject>
    <subject>Aesthetics</subject>
    <subject>Painting</subject>
    <subject>Piet Mondrian</subject>
    <subject>Auguste Herbin</subject>
    <subject>Wassily Kandinsky</subject>
    <subject>Charles Sanders Peirce</subject>
    <subject>Michel Butor</subject>
    <subject>Gregory Bateson</subject>
    <subject>Zoological Linguistics</subject>
    <subject>Jean-Jacques Rousseau</subject>
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    <description descriptionType="Abstract">&amp;lt;p&amp;gt;&amp;lt;em&amp;gt;The Deleuze Seminars&amp;lt;/em&amp;gt; is a collection of audio recordings, transcriptions, and English translations of, and supplemental materials from, the lectures French philosopher Gilles&amp;amp;nbsp;Deleuze gave during his career at the University of Paris 8.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;&amp;amp;ldquo;Painting and the Question of Concepts&amp;amp;rdquo; was an 8-lecture seminar given from late March to early June of 1981. In this seminar, Deleuze critiques aesthetic theories which treat art as &amp;amp;lsquo;representation&amp;amp;rsquo;, presenting instead his own aesthetic concepts. Many of the concepts and works of art discussed herein also appear in Deleuze&amp;amp;rsquo;s book published the same year,&amp;lt;em&amp;gt; Francis Bacon-Logique de la sensation&amp;lt;/em&amp;gt; (&amp;lt;em&amp;gt;Francis Bacon: The Logic of Sensation&amp;lt;/em&amp;gt;), making &amp;amp;ldquo;Painting and the Question of Concepts&amp;amp;rdquo; an important companion to Deleuze&amp;amp;rsquo;s book.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;In the 05 May 1981 lecture, topics of discussion include: the three diagrammatic positions (expressionist, abstraction, figural); Kandinsky; Piet Mondrian; French writer Michel Butor; Auguste Herbin; a definition of painting as it would be constructed from Deleuze&amp;amp;rsquo;s concept of diagram; digital language and analogic language; Charles Sanders Peirce and his theory of icons; British anthropologist and linguist Gregory Bateson and the language of dolphins; modulation of light and colors; and Jean-Jacques Rousseau and the &amp;lt;em&amp;gt;Essay on the Origin of Languages&amp;lt;/em&amp;gt;.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;This dataset includes: three mp3 recordings of the lecture (total time, 2:34:24), an aggregate version of the audio recordings into a single mp3, and the complete French transcription of the recorded lecture in both pdf (35 pp) and plain text.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;Note: The aggregate audio file has downsampled.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;-&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;&amp;lt;em&amp;gt;Les S&amp;amp;eacute;minaires de Deleuze&amp;lt;/em&amp;gt; sont une collection d&amp;amp;#39;enregistrements audio, de transcriptions et de traductions en anglais et de documents compl&amp;amp;eacute;mentaires des conf&amp;amp;eacute;rences que le philosophe fran&amp;amp;ccedil;ais Gilles Deleuze a donn&amp;amp;eacute; lors de sa carri&amp;amp;egrave;re &amp;amp;agrave; l&amp;amp;#39;Universit&amp;amp;eacute; de Paris 8.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;&amp;amp;laquo;La peinture et la question des concepts&amp;amp;raquo; &amp;amp;eacute;tait un s&amp;amp;eacute;minaire de 8 conf&amp;amp;eacute;rences donn&amp;amp;eacute; de fin mars &amp;amp;agrave; d&amp;amp;eacute;but juin 1981. Dans ce s&amp;amp;eacute;minaire, Deleuze critique les th&amp;amp;eacute;ories esth&amp;amp;eacute;tiques qui traitent l&amp;amp;#39;art comme &amp;amp;laquo;repr&amp;amp;eacute;sentation&amp;amp;raquo;, pr&amp;amp;eacute;sentant ses propres concepts esth&amp;amp;eacute;tiques. Beaucoup de concepts et d&amp;amp;#39;&amp;amp;oelig;uvres d&amp;amp;#39;art d&amp;amp;eacute;crites ici apparaissent &amp;amp;eacute;galement dans le livre de Deleuze publi&amp;amp;eacute; la m&amp;amp;ecirc;me ann&amp;amp;eacute;e, &amp;lt;em&amp;gt;Francis Bacon-Logique de la sensation&amp;lt;/em&amp;gt;, faisant de &amp;amp;laquo;La peinture et de la question des concepts&amp;amp;raquo; un important compagnon de le livre de Deleuze.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;Dans la lecture du 05 mai 1981, les sujets de discussion comprennent: de trois positions diagrammatiques (expressionniste, de l&amp;amp;rsquo;abstraction, figurale); Kandinsky; Piet Mondrian; l&amp;amp;#39;&amp;amp;eacute;crivain fran&amp;amp;ccedil;ais Michel Butor; Auguste Herbin; une d&amp;amp;eacute;finition de la peinture car elle serait construite &amp;amp;agrave; partir du concept de diagramme de Deleuze; le langage digital et le langage analogique; Charles Sanders Peirce et sa th&amp;amp;eacute;orie des ic&amp;amp;ocirc;nes; l&amp;amp;#39;anthropologue et linguiste britannique Gregory Bateson et le langage des dauphins; la modulation de la lumi&amp;amp;egrave;re et des couleurs; et Jean-Jacques Rousseau et &amp;lt;em&amp;gt;Essai sur l&amp;amp;#39;origine des langues&amp;lt;/em&amp;gt;.&amp;lt;/p&amp;gt;</description>
    <description descriptionType="Other">Lecture given by French philosopher Gilles Deleuze at the University of Paris 8, 05 May 1981. This is lecture 4 of an 8-lecture seminar Deleuze taught between March and June 1981.</description>
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